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3 Stars On Mountain Of Doom

by Eric Chenaux

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The 10th of 16 tracks commissioned by Constellation for the Corona Borealis Longplay Singles series 2020-2021. 100% of proceeds go to the artist.

Corona Borealis singles are released every Thursday in Oct-Nov 2020 and Jan-Feb 2021.

Each Corona Borealis single has a video:
vimeo.com/489611609/

More info about the Corona Borealis series
cstrecords.com/coronaborealis/

Check cstrecords for special offers & LP/CD bundles that can't be set up via Bandcamp (especially if you're interested in buying multiple physical records from the label's catalogue and/or you're shipping to a destination outside North America).
cstrecords.com/catalogue

credits

released January 21, 2021
“3 Stars On Mountain of Doom” was recorded for Richard Youngs’ 50th Birthday (a limited edition of 1 compilation CD entitled 50 Years Of Youngs) curated by Madeleine Hynes. Most of this piece is a reflection upon Richard's Three Handed Star released on his No Fans label in 2008. I cannot count on this being true or not but I believe that he recorded it after acquiring a concertina or melodeon or some such thing, using the recording process to get to know the instrument. I have always had a fondness for this untethered reverie of his. The last section is an instrumental version of Mountain Of Doom, which Richard wrote and recorded with his son Sorely. The lyrics are fried and the song is an oddly touching and beautiful one - one of those songs that seems to just drop into the world without a hitch. Thank you Richard, Madeleine and Sorley for giving me an aberrant place to play around. – Eric Chenaux

During these COVID days I keep thinking about Buster Keaton. Especially a scene in which he is leaning against a building, minding his own business. Soon, a cop appears to tell him to move along. He does, but at the moment he stops leaning against the building, the building collapses. Today, it is not just time that is out of joint (Hamlet), but space as well (Keaton). And the arbitrariness of both reminds us that there is no permanent state of things--no built and unbuilt, no forwards and backwards. Yes, there is a dominant capitalist logic today that informs reality and is desperate to orient us to its pathetic little desires. But this logic is not stable and can always come crashing down. Eric’s music reminds me that there is no fixed order of things. No natural progress. And when we subtract these false orientations, something clears so that we do not even notice that the whole video was shot in reverse and that the dancer’s every movement is backwards. Or, more to the point, it is not just that we do not notice these things, but that these things (forwards-backwards, movement-stillness) do not exist in the first place. – Eric Cazdyn

Eric Chenaux, recording, mixing, electric guitar, bowed guitar, nylon-string guitar, various electronics, field-recordings.

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Eric Chenaux Condat Sur Ganaveix, France

Eric Chenaux is a purveyor of jazz, folk, and pop-inflected avant-garde balladry juxtaposing a warm, clear singing voice and fried, noised, semi-improvised guitar . "A musician like no other." (Tiny Mix Tapes) "A singer possessed of angelic sweetness accompanying himself with visceral guitar, Chenaux succeeds in generating an astonishing array of timbres." (The Wire, Cover Feature, 2017) ... more

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